Montag, 10. Dezember 2012

Vashti Bunyan on collaborating w/

Animal Collective: They taught me a lot that I have never forgotten and I have enormous respect for the way they work.
Devendra Banhart: Adorable genius full of goodness and the best of badness.
Piano Magic: Glen Johnson has a wonderful mind and ear. I like his recordings of my voice best of all. 
Joanna Newsom: An elegant, dignified and brilliant musician who was generous enough to give me a morning in a studio. 

Kieran Evans: Hugely patient bundle of energy and ideas. 

Montag, 12. November 2012

Interview with Vashti Bunyan

Dear Vashti! What is your belief or philosophy that you go by? That as soon as I start to believe something it is probably already unbelievable. Which makes it easier not to hold grudges. 

What does just another diamond day in the life of Vashti Bunyan look like today? Sitting here mostly in front of a computer screen with headphones on so the rest of the household doesn't have to get bored of my tunes. Making my way between 3 old laptops and 4 hard-drives full of the last few years of recordings - finding old and making new files and trying to fix it all up into something resembling a new album.

From all the people you have worked with: Who would be the most memorable person that has crossed your path (in music) and why? Robert Kirby who arranged some of the songs on my first album recorded in 1969. He was Nick Drake's friend and arranger. I didn't see Robert from that time till a few years ago when we were both working on a Nick Drake tribute show for Joe Boyd. I just loved him and his irreverence and boundless humour.. and his beautiful musical arrangements. We were planning to work on my new songs together when he suddenly died. I haven't stopped being sad about that. I try now to write the arrangements I think we might have done together rather than go to anyone else.

Have you ever encountered Nick Drake? Joe Boyd (who produced both of us at the time) tried to get us to write together but I had a tiny baby who cried whenever I picked up my guitar and a silent Nick's shoulders went higher and higher till I went home. I don't think we ever exchanged a word although we met a few times in Joe's office. I would say hello and he would turn to the wall. Beautiful sad boy.

How did you experience the making of "From Here To Before"? As a kind of talking cure. We filmed hours of my going on and on. Only a fraction made it into the eventual film. By time we had reached the end I felt differently about the journey it was about.
You are entitled "The Godmother of Freak Folk". How do you feel about this description? 'Freak Folk' doesn't describe me at all, and I don't know any words that do describe me or what I sound like. As to being called 'godmother' it has  made me smile. If the girl I was could have known she would one day be described as godmother of her kind of music she would have smiled too. 

Was it more difficult for women in the 60s to be taken seriously and gain respect in a male-dominated music industry? It's hard for me to know whether it was difficult because I was female or because I was shy and unable to put my ideas across. I think it might be too easy to say it was because I was female - although it was definitely harder for someone like me who refused to wear pretty dresses.

A little birdy once told me about this incident when you would have to face disrespectful behaviour by the Rolling Stones. I wonder: Was it actually more difficult for women back then, or were the Stones really just an immature bunch? As to difficulties - like a lot of women of my generation looking back to that time - I feel I should have been much stronger, much more sure of myself - and I have spent the time since trying to put that right. I had an ego about my songs but not about myself. As to the Stones - it was only once when I was recording the b side of my single - a song I'd written called I Want to be Alone - Mick Jagger was up in the control room with Andrew Oldham and I was alone down in the studio in front of the mic. I must have looked like a small child as I caught him mimicking my ways, my expression, and it was infuriatingly patronising yes. No one took me seriously - but really was that my fault or theirs? It is hard to know like I said. As for them being immature - no - they were just fearlessly laying all before them. And yes they strutted - but that was what was so great about them. Certainly what I loved about them.

If you had the chance to travel back in time and meet young Vashti, which advice would you give her? I'd maybe tell her not to listen to herself telling her she wasn't any good as a musician and songwriter - and to sing to her children.

Do you notice any difference with your voice as you grow older? Are there any difficulties in singing since you have not been using your vocal instrument for such a long time? I think when I first came back to recording after a 30 year gap my voice hadn't changed much - maybe because I hadn't used it in all that time. But now after a few years I think it is maybe beginning to change. Lower maybe.

What is your perception of music? I lived with it every day growing up.. radio music and recorded music. Then I started to make my own - but got nowhere with it and eventually turned my back entirely on all music. I didn't sing to my children. I never picked up my guitar to play it even though I kept it always with me. Music hurt, music had rejected me so I reacted unconsciously by rejecting music. Then when Just Another Diamond Day came out in 2000 I started to listen again to so much of the music I had missed. I was able to listen at last and remember what it felt like and to love having it in my life again. When I write music now I am writing from that place that was filled after having been empty for so long. So all music to me is a longing fulfilled.

Mittwoch, 17. Oktober 2012

Vashti Bunyan im Portrait

Wir schreiben das Jahr 1963. Im zarten Alter von 18 Jahren entdeckt Vashti Bunyan in New York "The Freewheelin' Bob Dylan" für sich und beschließt daraufhin eine Karriere als Musikerin anzustreben. - "Bob Dylan's words began to fill the air in my young head and to educate me more than anything in my life had ever done."

In ihrem Bestreben unterstützt wird die ehemalige Kunststudentin aus London von niemand geringerem als Andrew Loog Oldham: Der Rolling Stones-Manager sieht in ihr die neue Marianne Faithfull.

1965 erscheint Vashtis erste Single "Some Things Just Stick In Your Mind" (ein Jagger-Richards Cover) mit der B-Seite "I Want To Be Alone" aus eigener Feder. Allerdings fällt die Resonanz bescheiden aus, auch der Veröffentlichung ihres Nachfolgers "Train Song" wird kaum Beachtung geschenkt. Vashti zieht sich zunächst zurück. -  "Eventually my music dreams ran out - so I left for good. Left London, my family, everything familiar and took off for oblivion."

Zu Pferd und Fuhrwerk begibt sie sich gemeinsam mit ihrem damaligen Lebensgefährten in Richtung Nordwesten Schottlands, um sich vorerst in der auf Skye gelegenen Kommune des britischen Folk-Musikers Donovan niederzulassen. Die Reise dauert anderthalb Jahre; Als die beiden eintreffen, hat sich die Kommune bereits aufgelöst.

Vashti schöpft während jener Odyssee aus der Fülle ihrer Kreativität frischen Mut und kehrt 1970 nach London zurück, um schließlich ihr Debütalbum "Just Another Diamond Day" aufzunehmen: Das musikalische Zeitzeugnis jener Odyssee. Als "Hippie-Folk" abgestempelt, findet jedoch selbst der Langspieler keinen Anklang in der damaligen Zeit. Desillusioniert kehrt Vashti Bunyan dem Musik-Business den Rücken.

Drei Dekaden später kommt der Stein zu ihrer eigenen Überraschung ins Rollen: Mit der erfolgreichen Wiederveröffentlichung von "Just Another Diamond Day" im Jahr 2000 wird Vashtis Erstlingswerk plötzlich seine längst überfällige Anerkennung zuteil. Namhafte Künstler wie Joanna Newsom bekennen sich als große Fans der englischen Singer-Songwriterin, die 2002 von Piano Magic gebeten wird, auf deren Album "Writers Without Homes" als Gastsängerin aufzutreten; Vashtis erste Aufnahme seit dem untergegangenen Debüt!

Es folgen zahlreiche weitere Kollaborationen, unter anderem mit Animal Collective und Devendra Banhart, der im Rahmen von "From Here To Before", einer Dokumentation von Kieran Evans über Vashti und ihren (musikalischen) Werdegang, aussagt: "I believe Just Another Diamond Day is a holy record."

Ermutigt durch dieses unverhofft erwachte Interesse an ihrer Person und Musik, veröffentlicht die mittlerweile gefeierte "Godmother of Freak Folk" nach 33-jähriger Schaffenspause ihr zweite Platte mit dem bezeichnenden Titel "Lookaftering" (2005). Vashti Bunyan lebt gegenwärtig in Edinburgh und arbeitet an einem neuen Album sowie ihrer Autobiographie.